Showing posts with label chords. Show all posts
Showing posts with label chords. Show all posts

What are chords? How do you "make" chords from scales? What are chords used for? Who first used chords and how are they used today?

What are chords?  How do you "make" chords from scales?  What are chords used for?  Who first used chords and how are they used today?

Chords are groups of three or more musical notes played together. They can be played on a piano, guitar, or any other musical instrument.

To make chords from scales, you can start by playing the first, third, and fifth notes of the scale consecutively. These three notes form a basic chord, called a triad. For example, if you are working with the C major scale (C D E F G A B), the C major chord is made up of the notes C, E, and G.

Chords are used to provide harmony in music. They are typically played alongside a melody, and the combination of the two creates a richer and more complex musical experience. Chords can be used to add depth and interest to a musical piece, and they can also be used to create tension or dissonance, depending on how they are used.

Chord forms usually consist of the tonic, subdominant and  dominant chords for a given key (aka the 1, 4, 5 chord "Progression")

Tonic, subdominant, and dominant are the first, fourth, and fifth degrees in any scale.  They are the key elements to building a song.  The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound.  Why do we care?  Because the majority of music that you will ever listen to or play, bases the entire song off of these chords.  You can create, or recreate most songs when you understand tonic, dominant, and subdominant chords.  

The Tonic Chord

The Tonic:  The tonic degree, or the tonic chord, is always the easiest to find.  The tonic is found by the first degree in a scale.  If you are looking at the C major scale, the tonic is C.  If you are working with the G major scale, the tonic is G.  A song will probably begin and end with the tonic.  The tonic is called home, because it is where we are at rest.  It is where a song is resolved, and where we want to start and melody and always where we want to return to.  We want to come back home with the tonic.  Thus, the tonic draws back to itself.  The tonic is symbolized with Roman numeral I if it is MAJOR.  It is a Roman numeral i for a MINOR tonic chord.  

The Subdominant Chord

The Subdominant: The subdominant is the fourth degree of a scale, or can be found 4 tones, or notes above the tonic.    The subdominant causes us to “leave home”.  It has an almost mysterious, or unresolved feeling that causes us to draw back to the dominant.  Which is why it is called sub-dominant.  As such, you will often find a dominant following a subdominant chord.  The subdominant is symbolized with a Roman numeral IV for a MAJOR chord.  It is a Roman numeral i for a MINOR subdominant chord.

The Dominant Chord

The Dominant: The dominant is the fifth degree of a scale, or can be found 5 tones, or notes above the tonic.  You will often see the dominant chord as an inversion of its root chord. Just like the subdominant, you will often find the dominant chord as an inversion of its root chord.  Simply stated, that just means that instead of it being in this order of G-B-D, you will find it as B-D-G.  Same chord, just inverted.  The dominant chord causes tension or stress with a desire to resolve.  It almost begs us to return back home.  Therefore, the dominant chord leads us back to the tonic, or to home.  The dominant is symbolized with a Roman numeral V for a MAJOR chord.  It is a Roman numeral v for a MINOR subdominant chord.

Other Chord Progression Examples:

It is difficult to say who first used chords, as the concept of chords has likely existed for as long as people have been making music. However, the use of chords in Western music can be traced back to at least the Baroque period (17th and 18th centuries).  The use of chords can also be traced back to the ancient Greeks, who used them in their music. Today, chords are an integral part of Western music and are used in a wide variety of musical styles, including classical, jazz, bluegrass, rock, and pop.  

What are chords? How do you "make" chords from scales? What are chords used for? Who first used chords and how are they used today?

What are chords?  How do you "make" chords from scales?  What are chords used for?  Who first used chords and how are they used today?

Chords are groups of three or more musical notes played together. They can be played on a piano, guitar, or any other musical instrument.

To make chords from scales, you can start by playing the first, third, and fifth notes of the scale consecutively. These three notes form a basic chord, called a triad. For example, if you are working with the C major scale (C D E F G A B), the C major chord is made up of the notes C, E, and G.

Chords are used to provide harmony in music. They are typically played alongside a melody, and the combination of the two creates a richer and more complex musical experience. Chords can be used to add depth and interest to a musical piece, and they can also be used to create tension or dissonance, depending on how they are used.

Chord forms usually consist of the tonic, subdominant and  dominant chords for a given key (aka the 1, 4, 5 chord "Progression")

Tonic, subdominant, and dominant are the first, fourth, and fifth degrees in any scale.  They are the key elements to building a song.  The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound.  Why do we care?  Because the majority of music that you will ever listen to or play, bases the entire song off of these chords.  You can create, or recreate most songs when you understand tonic, dominant, and subdominant chords.  

The Tonic Chord

The Tonic:  The tonic degree, or the tonic chord, is always the easiest to find.  The tonic is found by the first degree in a scale.  If you are looking at the C major scale, the tonic is C.  If you are working with the G major scale, the tonic is G.  A song will probably begin and end with the tonic.  The tonic is called home, because it is where we are at rest.  It is where a song is resolved, and where we want to start and melody and always where we want to return to.  We want to come back home with the tonic.  Thus, the tonic draws back to itself.  The tonic is symbolized with Roman numeral I if it is MAJOR.  It is a Roman numeral i for a MINOR tonic chord.  

The Subdominant Chord

The Subdominant: The subdominant is the fourth degree of a scale, or can be found 4 tones, or notes above the tonic.    The subdominant causes us to “leave home”.  It has an almost mysterious, or unresolved feeling that causes us to draw back to the dominant.  Which is why it is called sub-dominant.  As such, you will often find a dominant following a subdominant chord.  The subdominant is symbolized with a Roman numeral IV for a MAJOR chord.  It is a Roman numeral i for a MINOR subdominant chord.

The Dominant Chord

The Dominant: The dominant is the fifth degree of a scale, or can be found 5 tones, or notes above the tonic.  You will often see the dominant chord as an inversion of its root chord. Just like the subdominant, you will often find the dominant chord as an inversion of its root chord.  Simply stated, that just means that instead of it being in this order of G-B-D, you will find it as B-D-G.  Same chord, just inverted.  The dominant chord causes tension or stress with a desire to resolve.  It almost begs us to return back home.  Therefore, the dominant chord leads us back to the tonic, or to home.  The dominant is symbolized with a Roman numeral V for a MAJOR chord.  It is a Roman numeral v for a MINOR subdominant chord.

Other Chord Progression Examples:

It is difficult to say who first used chords, as the concept of chords has likely existed for as long as people have been making music. However, the use of chords in Western music can be traced back to at least the Baroque period (17th and 18th centuries).  The use of chords can also be traced back to the ancient Greeks, who used them in their music. Today, chords are an integral part of Western music and are used in a wide variety of musical styles, including classical, jazz, bluegrass, rock, and pop.  

Mandolin Chord Chart and Suggestions for Learning Chords

mandolin chords
MANDOLIN CHORD SUGGESTIONS FOR LEARNING
Chords are made from arpeggios, which come from scales.  I've talked before about the 7 "Church" modes, or Canonical Modes as they are also called: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian.   Of those modes, the most commonly used are Ionian (Major) and Aeolian (Relative Minor).  The intervals of the Ionian (Major) mode are R,W,W,H,W,W,W,H R=Root, W=Whole, H=Half.  The intervals of the Aeolian (Relative Minor) mode (starting on the 6th note of the Major scale), are R,W,H,W,W,H,WW.  If you assign each interval with a number, then the notes of the scales will be 1,2,3,4,5,6,7,8 with 8 (the octave) being a repeat of 1 (the tonic or first note).  The notes of the arpeggio will always be 1,3,5,8 - regardless of the notes of the scale, or the mode.  

For example:
G Ionian (Major): G,B,D,G
G Aeolian (Relative Minor): E,G,B,E

Using the example above for the key of G, you want to make up your chord with any of the above notes: G,B,D,G for the Major and E,G,B,E for the Relative Minor.

OPEN CHORDS VS CLOSED CHORDS
One of the advantages of the mandolin is that it can be played like a percussion instrument in addition to providing melody and harmony.  The mandolinist has to decide what he/she wants to provide in the way of accompaniment.  If the mandolinist wants a short percussive sound (called a "chop" in bluegrass vernacular), then he/she has to use "closed chords".  Closed chords indicates a finger on each string, "closing" the ringing of the strings.  Every mandolinist has to learn the "Big G", which uses all 4 fingers with fingers on the B (a string), G (e string), G (d string), D (g string).  This is a "closed chord" because all of the strings are "closed" by a finger.  If the mandolinist wants a sound that rings (like a harp, for example), then he/she will play "open chords".  Open chords have one or more string pairs untouched by fingers allowing them to ring when struck by the pick.  Using the G example, a good open G is B (a string), and G (e string), open D and open G.

Typical styles of music that use open or closed chords are:
  • Celtic: open
  • Bluegrass: closed
  • Folk: either
  • Country: closed
  • Klezmer: open
I hope this is helpful, here's the video: