Showing posts with label chord progressions. Show all posts
Showing posts with label chord progressions. Show all posts

What are chords? How do you "make" chords from scales? What are chords used for? Who first used chords and how are they used today?

What are chords?  How do you "make" chords from scales?  What are chords used for?  Who first used chords and how are they used today?

Chords are groups of three or more musical notes played together. They can be played on a piano, guitar, or any other musical instrument.

To make chords from scales, you can start by playing the first, third, and fifth notes of the scale consecutively. These three notes form a basic chord, called a triad. For example, if you are working with the C major scale (C D E F G A B), the C major chord is made up of the notes C, E, and G.

Chords are used to provide harmony in music. They are typically played alongside a melody, and the combination of the two creates a richer and more complex musical experience. Chords can be used to add depth and interest to a musical piece, and they can also be used to create tension or dissonance, depending on how they are used.

Chord forms usually consist of the tonic, subdominant and  dominant chords for a given key (aka the 1, 4, 5 chord "Progression")

Tonic, subdominant, and dominant are the first, fourth, and fifth degrees in any scale.  They are the key elements to building a song.  The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound.  Why do we care?  Because the majority of music that you will ever listen to or play, bases the entire song off of these chords.  You can create, or recreate most songs when you understand tonic, dominant, and subdominant chords.  

The Tonic Chord

The Tonic:  The tonic degree, or the tonic chord, is always the easiest to find.  The tonic is found by the first degree in a scale.  If you are looking at the C major scale, the tonic is C.  If you are working with the G major scale, the tonic is G.  A song will probably begin and end with the tonic.  The tonic is called home, because it is where we are at rest.  It is where a song is resolved, and where we want to start and melody and always where we want to return to.  We want to come back home with the tonic.  Thus, the tonic draws back to itself.  The tonic is symbolized with Roman numeral I if it is MAJOR.  It is a Roman numeral i for a MINOR tonic chord.  

The Subdominant Chord

The Subdominant: The subdominant is the fourth degree of a scale, or can be found 4 tones, or notes above the tonic.    The subdominant causes us to “leave home”.  It has an almost mysterious, or unresolved feeling that causes us to draw back to the dominant.  Which is why it is called sub-dominant.  As such, you will often find a dominant following a subdominant chord.  The subdominant is symbolized with a Roman numeral IV for a MAJOR chord.  It is a Roman numeral i for a MINOR subdominant chord.

The Dominant Chord

The Dominant: The dominant is the fifth degree of a scale, or can be found 5 tones, or notes above the tonic.  You will often see the dominant chord as an inversion of its root chord. Just like the subdominant, you will often find the dominant chord as an inversion of its root chord.  Simply stated, that just means that instead of it being in this order of G-B-D, you will find it as B-D-G.  Same chord, just inverted.  The dominant chord causes tension or stress with a desire to resolve.  It almost begs us to return back home.  Therefore, the dominant chord leads us back to the tonic, or to home.  The dominant is symbolized with a Roman numeral V for a MAJOR chord.  It is a Roman numeral v for a MINOR subdominant chord.

Other Chord Progression Examples:

It is difficult to say who first used chords, as the concept of chords has likely existed for as long as people have been making music. However, the use of chords in Western music can be traced back to at least the Baroque period (17th and 18th centuries).  The use of chords can also be traced back to the ancient Greeks, who used them in their music. Today, chords are an integral part of Western music and are used in a wide variety of musical styles, including classical, jazz, bluegrass, rock, and pop.  

What are chords? How do you "make" chords from scales? What are chords used for? Who first used chords and how are they used today?

What are chords?  How do you "make" chords from scales?  What are chords used for?  Who first used chords and how are they used today?

Chords are groups of three or more musical notes played together. They can be played on a piano, guitar, or any other musical instrument.

To make chords from scales, you can start by playing the first, third, and fifth notes of the scale consecutively. These three notes form a basic chord, called a triad. For example, if you are working with the C major scale (C D E F G A B), the C major chord is made up of the notes C, E, and G.

Chords are used to provide harmony in music. They are typically played alongside a melody, and the combination of the two creates a richer and more complex musical experience. Chords can be used to add depth and interest to a musical piece, and they can also be used to create tension or dissonance, depending on how they are used.

Chord forms usually consist of the tonic, subdominant and  dominant chords for a given key (aka the 1, 4, 5 chord "Progression")

Tonic, subdominant, and dominant are the first, fourth, and fifth degrees in any scale.  They are the key elements to building a song.  The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound.  Why do we care?  Because the majority of music that you will ever listen to or play, bases the entire song off of these chords.  You can create, or recreate most songs when you understand tonic, dominant, and subdominant chords.  

The Tonic Chord

The Tonic:  The tonic degree, or the tonic chord, is always the easiest to find.  The tonic is found by the first degree in a scale.  If you are looking at the C major scale, the tonic is C.  If you are working with the G major scale, the tonic is G.  A song will probably begin and end with the tonic.  The tonic is called home, because it is where we are at rest.  It is where a song is resolved, and where we want to start and melody and always where we want to return to.  We want to come back home with the tonic.  Thus, the tonic draws back to itself.  The tonic is symbolized with Roman numeral I if it is MAJOR.  It is a Roman numeral i for a MINOR tonic chord.  

The Subdominant Chord

The Subdominant: The subdominant is the fourth degree of a scale, or can be found 4 tones, or notes above the tonic.    The subdominant causes us to “leave home”.  It has an almost mysterious, or unresolved feeling that causes us to draw back to the dominant.  Which is why it is called sub-dominant.  As such, you will often find a dominant following a subdominant chord.  The subdominant is symbolized with a Roman numeral IV for a MAJOR chord.  It is a Roman numeral i for a MINOR subdominant chord.

The Dominant Chord

The Dominant: The dominant is the fifth degree of a scale, or can be found 5 tones, or notes above the tonic.  You will often see the dominant chord as an inversion of its root chord. Just like the subdominant, you will often find the dominant chord as an inversion of its root chord.  Simply stated, that just means that instead of it being in this order of G-B-D, you will find it as B-D-G.  Same chord, just inverted.  The dominant chord causes tension or stress with a desire to resolve.  It almost begs us to return back home.  Therefore, the dominant chord leads us back to the tonic, or to home.  The dominant is symbolized with a Roman numeral V for a MAJOR chord.  It is a Roman numeral v for a MINOR subdominant chord.

Other Chord Progression Examples:

It is difficult to say who first used chords, as the concept of chords has likely existed for as long as people have been making music. However, the use of chords in Western music can be traced back to at least the Baroque period (17th and 18th centuries).  The use of chords can also be traced back to the ancient Greeks, who used them in their music. Today, chords are an integral part of Western music and are used in a wide variety of musical styles, including classical, jazz, bluegrass, rock, and pop.  

An example of a song that uses the 1&5-1&5-3b-3-1&5-1&5-1&6-1&5 shuffle pattern: "The Thrill Is Gone" by B.B. King

B.B. King - the Thrill Is Gone

Here's an example of a song that uses the 1&5-1&5-3b-3-1&5-1&5-1&6-1&5 shuffle pattern:

"The Thrill Is Gone" by B.B. King

C&G C&G

The thrill is gone, the thrill is gone away

F7 C

The thrill is gone, the thrill is gone away

G7 C

You know you done me wrong, baby

C&G C&G

And you'll be sorry someday

C&A7 C&G

The thrill is gone, it's gone away from me


In this example, the 1&5 chords are C&G, the 3b chord is F7, the 3 chord is C, and the 1&6 chord is C&A7. The shuffle pattern creates a driving, swinging rhythm that is characteristic of blues and rock music. The song "The Thrill Is Gone" was written by B.B. King and has been covered by many artists over the years. It is a classic blues ballad that is known for its emotional delivery and memorable shuffle groove.

An example of a song that uses the 1&5-1&5-3b-3-1&5-1&5-1&6-1&5 shuffle pattern: "The Thrill Is Gone" by B.B. King

B.B. King - the Thrill Is Gone

Here's an example of a song that uses the 1&5-1&5-3b-3-1&5-1&5-1&6-1&5 shuffle pattern:

"The Thrill Is Gone" by B.B. King

C&G C&G

The thrill is gone, the thrill is gone away

F7 C

The thrill is gone, the thrill is gone away

G7 C

You know you done me wrong, baby

C&G C&G

And you'll be sorry someday

C&A7 C&G

The thrill is gone, it's gone away from me


In this example, the 1&5 chords are C&G, the 3b chord is F7, the 3 chord is C, and the 1&6 chord is C&A7. The shuffle pattern creates a driving, swinging rhythm that is characteristic of blues and rock music. The song "The Thrill Is Gone" was written by B.B. King and has been covered by many artists over the years. It is a classic blues ballad that is known for its emotional delivery and memorable shuffle groove.

An example of a song that uses the 1&5-1&5-1&6-1&6 shuffle pattern: "Hoochie Coochie Man" by Willie Dixon

Willie Dixon - Hoochie Coochie Man

Here's an example of a song that uses the 1&5-1&5-1&6-1&6 shuffle pattern:

"Hoochie Coochie Man" by Willie Dixon

C&G C&G

I got a black cat bone, I got a mojo too

C&A7 C&A7

I got a John the Conqueror root, I'm gonna mess with you

C&G C&G

I'm the hoochie coochie man, they got me on the run

C&A7 C&A7

I'm the hoochie coochie man, I'm the hoochie coochie man


In this example, the 1&5 chords are C&G, and the 1&6 chords are C&A7. The shuffle pattern creates a driving, swinging rhythm that is characteristic of blues and rock music. The song "Hoochie Coochie Man" was written by Willie Dixon and has been covered by many artists over the years. It is a classic blues song that is known for its memorable shuffle groove.

An example of a song that uses the 1&5-1&5-1&6-1&6 shuffle pattern: "Hoochie Coochie Man" by Willie Dixon

Willie Dixon - Hoochie Coochie Man

Here's an example of a song that uses the 1&5-1&5-1&6-1&6 shuffle pattern:

"Hoochie Coochie Man" by Willie Dixon

C&G C&G

I got a black cat bone, I got a mojo too

C&A7 C&A7

I got a John the Conqueror root, I'm gonna mess with you

C&G C&G

I'm the hoochie coochie man, they got me on the run

C&A7 C&A7

I'm the hoochie coochie man, I'm the hoochie coochie man


In this example, the 1&5 chords are C&G, and the 1&6 chords are C&A7. The shuffle pattern creates a driving, swinging rhythm that is characteristic of blues and rock music. The song "Hoochie Coochie Man" was written by Willie Dixon and has been covered by many artists over the years. It is a classic blues song that is known for its memorable shuffle groove.

An example of a (1,1,3,1,5,1,6,1) chord progression "I Can't Help It (If I'm Still in Love with You)" by Hank Williams

Hank Williams - I Can't Help It

Here is an example of a song that uses the 1-1-3-1-5-1-6-1 chord progression:

"I Can't Help It (If I'm Still in Love with You)" by Hank Williams

C C

I can't help it if I'm still in love with you

F C

You treat me badly, I'm all confused

G7 C

Don't know what to do, I'm so in love with you

C C

I'm helpless, that's all I can do

In this example, the 1 chord is C, the 3 chord is F, the 5 chord is G7, and the 6 chord is C. This progression creates a sense of nostalgia and longing, and is often used in country and blues ballads. The song "I Can't Help It (If I'm Still in Love with You)" was written by Hank Williams and has been covered by many artists over the years.

An example of a (1,1,3,1,5,1,6,1) chord progression "I Can't Help It (If I'm Still in Love with You)" by Hank Williams

Hank Williams - I Can't Help It

Here is an example of a song that uses the 1-1-3-1-5-1-6-1 chord progression:

"I Can't Help It (If I'm Still in Love with You)" by Hank Williams

C C

I can't help it if I'm still in love with you

F C

You treat me badly, I'm all confused

G7 C

Don't know what to do, I'm so in love with you

C C

I'm helpless, that's all I can do

In this example, the 1 chord is C, the 3 chord is F, the 5 chord is G7, and the 6 chord is C. This progression creates a sense of nostalgia and longing, and is often used in country and blues ballads. The song "I Can't Help It (If I'm Still in Love with You)" was written by Hank Williams and has been covered by many artists over the years.

An example of a Fats Domino #2 (1,3,5,5,3,5) chord progression. I'm Walkin by Fats Domino

 

Fats Domino - I'm Walkin

One example of a song that uses the 1-3-5-5-3-5 chord progression is "I'm Walkin'" by Fats Domino. Here's how the progression might look in the key of C:

C E
I'm walkin', yes indeed
G G
I'm talkin', 'bout you and me
C E
I'm hopin', that you'll come back to me
G G
I'm lonely as can be

In this example, the 1 chord is C, the 3 chord is E, the 5 chord is G, and the 3 and 5 chords are repeated. This progression is a simple, upbeat blues progression that is characteristic of many of Fats Domino's songs.


An example of a Fats Domino #2 (1,3,5,5,3,5) chord progression. I'm Walkin by Fats Domino

 

Fats Domino - I'm Walkin

One example of a song that uses the 1-3-5-5-3-5 chord progression is "I'm Walkin'" by Fats Domino. Here's how the progression might look in the key of C:

C E
I'm walkin', yes indeed
G G
I'm talkin', 'bout you and me
C E
I'm hopin', that you'll come back to me
G G
I'm lonely as can be

In this example, the 1 chord is C, the 3 chord is E, the 5 chord is G, and the 3 and 5 chords are repeated. This progression is a simple, upbeat blues progression that is characteristic of many of Fats Domino's songs.


An example of a song that uses the 1-5-6-5 chord progression: "Blue Eyes Crying in the Rain" by Fred Rose and Hank Williams

Hank Williams - Blue Eyes Crying in the Rain

Here's an example of a song that uses the 1-5-6-5 chord progression:

"Blue Eyes Crying in the Rain" by Fred Rose and Hank Williams

C G

In the twilight glow I see

F C

Blue eyes cryin' in the rain

G C

When we kissed goodbye and parted

G C

I knew we'd never meet again

In this example, the 1 chord is C, the 5 chord is G, the 6 chord is F, and the 5 chord is C. The song "Blue Eyes Crying in the Rain" is a classic country ballad that has been covered by many artists over the years. It was originally written by Fred Rose and Hank Williams.

An example of a song that uses the 1-5-6-5 chord progression: "Blue Eyes Crying in the Rain" by Fred Rose and Hank Williams

Hank Williams - Blue Eyes Crying in the Rain

Here's an example of a song that uses the 1-5-6-5 chord progression:

"Blue Eyes Crying in the Rain" by Fred Rose and Hank Williams

C G

In the twilight glow I see

F C

Blue eyes cryin' in the rain

G C

When we kissed goodbye and parted

G C

I knew we'd never meet again

In this example, the 1 chord is C, the 5 chord is G, the 6 chord is F, and the 5 chord is C. The song "Blue Eyes Crying in the Rain" is a classic country ballad that has been covered by many artists over the years. It was originally written by Fred Rose and Hank Williams.

An example of a Fats Domino #1 (1,8,3,5,3) chord progression

Fats Domino - Blueberry Hill

Fats Domino's song "Blueberry Hill" is a good example of a song that uses the 1-8-3-5-3 chord progression. In the key of C, the chords would be C-C7-F-G-F. Here's how the progression might look in the context of a verse:

C C7

I found my thrill on Blueberry Hill

F G

On Blueberry Hill when I found you

C C7

The moon stood still on Blueberry Hill

F G

And lingered until my dreams came true


In this example, the 1 chord is C, the 8 chord is C7, the 3 chord is F, the 5 chord is G, and the 3 chord is F. The 1-8-3-5-3 progression is a common blues progression that has been used in many different songs.

An example of a Fats Domino #1 (1,8,3,5,3) chord progression

Fats Domino - Blueberry Hill

Fats Domino's song "Blueberry Hill" is a good example of a song that uses the 1-8-3-5-3 chord progression. In the key of C, the chords would be C-C7-F-G-F. Here's how the progression might look in the context of a verse:

C C7

I found my thrill on Blueberry Hill

F G

On Blueberry Hill when I found you

C C7

The moon stood still on Blueberry Hill

F G

And lingered until my dreams came true


In this example, the 1 chord is C, the 8 chord is C7, the 3 chord is F, the 5 chord is G, and the 3 chord is F. The 1-8-3-5-3 progression is a common blues progression that has been used in many different songs.