Showing posts with label mandolin orchestra. Show all posts
Showing posts with label mandolin orchestra. Show all posts

Thoughts on coordinating rehearsals with vaccines


Massachusetts is now in Phase 2 of the Coronavirus Vaccine rollout.  This means that people age 75 or older, as well as Phase 1 candidates who haven't received  their first shot are now eligible for their doses.  The 2nd half of Phase 2 will be people aged 65 or older, and people with 2 comorbidities.  President Biden has committed to providing the first 100 million doses within the first 100 days of office, essentially 3 months' time from now, leaving the other 200 million people hanging for another 6 months (minimum).  This means most of us won't be getting our first dose any time soon, and it's looking like August or even December, before the majority of the people in the country who want the vaccine to get both doses.  Assuming I can get my first and 2nd dose between say July and September, this pushes all of my musical plans back to the fall at minimum.  Of course, nobody is saying for sure when it will happen.  Nobody wants to say, because nobody wants to be held accountable.

Originally, my plans were to begin mandolin group rehearsals in April or May, and then weekly once everyone has been vaccinated, with the goal of setting up a Mandolin New England meet/rehearsal  the 2nd or 3rd weekend in June, and subsequent rehearsals in July and August with a combined set of concerts in western MA, Boston, The Cape and RI in September and October.  Pushing the vaccines back til August or even September means pushing everything back another year.  This doesn't make me happy of course, nor does it make anybody else in the orchestra pleased.  Everybody has been very patient.  

In the meantime, I am encouraging everyone to work on their parts.  We will be performing the Bach Double concerto for two (violins) mandolins and orchestra; as well as a piece by Vivaldi and another by Mozart.  Josh (the RI leader) and I will coordinate parts later in the spring,  I am also encouraging fans and supporters to visit the website, where you can download last years' recordings and sign up to receive notices of online events and workshops being planned now: www.MandolinNewEngland.org 



Thoughts on coordinating rehearsals with vaccines


Massachusetts is now in Phase 2 of the Coronavirus Vaccine rollout.  This means that people age 75 or older, as well as Phase 1 candidates who haven't received  their first shot are now eligible for their doses.  The 2nd half of Phase 2 will be people aged 65 or older, and people with 2 comorbidities.  President Biden has committed to providing the first 100 million doses within the first 100 days of office, essentially 3 months' time from now, leaving the other 200 million people hanging for another 6 months (minimum).  This means most of us won't be getting our first dose any time soon, and it's looking like August or even December, before the majority of the people in the country who want the vaccine to get both doses.  Assuming I can get my first and 2nd dose between say July and September, this pushes all of my musical plans back to the fall at minimum.  Of course, nobody is saying for sure when it will happen.  Nobody wants to say, because nobody wants to be held accountable.

Originally, my plans were to begin mandolin group rehearsals in April or May, and then weekly once everyone has been vaccinated, with the goal of setting up a Mandolin New England meet/rehearsal  the 2nd or 3rd weekend in June, and subsequent rehearsals in July and August with a combined set of concerts in western MA, Boston, The Cape and RI in September and October.  Pushing the vaccines back til August or even September means pushing everything back another year.  This doesn't make me happy of course, nor does it make anybody else in the orchestra pleased.  Everybody has been very patient.  

In the meantime, I am encouraging everyone to work on their parts.  We will be performing the Bach Double concerto for two (violins) mandolins and orchestra; as well as a piece by Vivaldi and another by Mozart.  Josh (the RI leader) and I will coordinate parts later in the spring,  I am also encouraging fans and supporters to visit the website, where you can download last years' recordings and sign up to receive notices of online events and workshops being planned now: www.MandolinNewEngland.org 



Mandolin History: Gibson Mandolin "Orchestra"

by Gregg Miner

Disclaimer to Internet readers:

The following text is a humorous essay written for the layperson. It originally appeared in a companion booklet to my 1995 Christmas Collection CDs. The information, while factual, is presented in a personal, unorthodox manner. No offense is intended toward my fellow musicians or fellow musicologists.

I must confess that I'm among the many who are infatuated with old Gibson instruments, particularly those made between 1900 and 1930, heyday of the mandolin and banjo. The Gibson story began with Orville Gibson, who, among other things, revolutionized the mandolin in the year 1898. Dissatisfied with the sound of the traditional Italian-style bowl-back mandolin (not to mention how to hold the slippery thing!), he completely redesigned it -- giving it a relatively flat, shallow profile, and applying such violin principals as an arched, carved top and back. His basic design was refined by the Gibson Company over the years and reached its zenith in 1922 with the immortal F-5 mandolin. Unfortunately, the mandolin craze had just ended and comparatively few of these were sold. But then in the mid-forties, Bill Monroe discovered an old F-5, single-handedly invented bluegrass music, and the rest, as they say, is history. The mandolin is now as popular as ever, and to this day, Gibsons remain the standard by which all others are judged.

Now, no one knows exactly who came up with the idea of a mandolin "orchestra" (or when), but it was ingenious. Apparently, someone finally noticed that a mandolin (with eight strings in four double-courses) was tuned exactly like a violin and could therefore play violin music. It was even possible to play sustained notes with a tremolo technique. Then, around the turn of the century somebody further reasoned that if larger mandolins were built to correspond to the viola, cello, and even bass, an entire string orchestra could be duplicated with mandolinists. Reasonable enough, but where does one find mandolinists? Gibson's answer was brilliantly simple and diabolical. It initiated a systematic nation-wide marketing scheme wherein a network of music teacher-dealers was cajoled into organizing local mandolin "clubs" whose eager participants would just happen to require (A) lessons and (B) instruments -- both happily provided by the teacher. Between 1910 and 1920 there were literally hundreds of these "All-Gibson orchestras" across the country -- a phenomenon not unnoticed by several other companies who were scurrying to produce their own versions of this new family of instruments. But even though Gibson mandolins were the most expensive, their craftsmanship, sound, aesthetic beauty, and grandiose hype captured the majority of hearts and pocketbooks than as now. And this was just the beginning of Gibson's tremendous success story. Ironically, Orville Gibson himself missed out on all the fun since he had sold the rights to his name and inventions in 1902 for $2500.

Gibson made all but the bass in two body styles: a round, teardrop shape and the "florentine" with scroll and points. Florentine mandolas and mandocellos are now especially rare, and surprisingly popular and costly collector's items. Some, like this 1924 mandocello, have the short-lived "Virzi tone-producer," a wooden disc suspended inside the body to supposedly improve the sound.

Despite what I've written, a mandolin orchestra can't be fully explained -- it must be experienced. So I personally did my time with the Los Angeles Mandolin Orchestra for several years, one of the few such clubs still in existence. Let me try to recall the scene: First of all, trying to get a couple of hundred strings in tune for each rehearsal (with all but the bass double-strung) was a disastrous free-for-all with no one the lucky winner, and in the end, it didn't much matter anyway. Sheet music arranged for string orchestra was then passed out, though some of the more senior members had trouble just focusing on the notes on our photocopies. There was a professional conductor, but he was largely ignored, as it seemed more important to find one's own rhythm and stick with it, impressing it upon one's neighbors if possible. And, yet, given enough rehearsal and any amount of luck, the "miracle of the mandolin orchestra" would occur -- wherein a couple dozen madly tremoloed mandolins blended together to give the illusion of a bowed string orchestra. Alas, my "quartet" just begins to hint at this.

Double the strings: Mandolin orchestra forms in Granby (formerly South Hadley)

By GENA MANGIARATTI
Gazette Contributing Writer

Cynthia, Mary, Teri, Ben
Adam R. Sweet would like to see mandolin jam sessions, popular in the early 20th century, make a comeback.

But for now, the music teacher and owner of Sweet Music Studio has founded the group, which had its first rehearsal in February.

According to the Classical Mandolin Society of America, it is likely the only mandolin orchestra in the Pioneer Valley.

“They said, ‘Look, we’re a dying breed. There are very few of us left,’” recalls Sweet, referring to the nonprofit organization, based in Minneapolis. He said the closest mandolin orchestra the society knew of is in Providence, R.I.

Formed at the urging of some of his students, the South Hadley Mandolin Orchestra has nine members — seven mandolinists, one mandola player and one mandocellist.

“The big thrill of playing in an orchestra is being in the middle of the sound,” said member Will Melton, who plays mandola. He was a member of the Providence Mandolin Orchestra before moving to South Hadley. “Being in the middle of acoustic instruments, playing harmonies in split-second time — it’s a spiritual experience.”

To make mandolin family instruments popular again, Sweet aims to reach out to the young.

“I find that most people think they’re banjos,” he said.

He said he has approached South Hadley Superintendent of Schools Nicholas Young about setting up a pilot string program in the schools.

Ben Levy, Granby
Benjamin Levy of Granby, an orchestra member and also one of Sweet’s students, said he took up the mandolin four years ago as a “retirement project.”

He grew up playing the piano and tuba, and began playing the guitar as an adult, he said.

He stresses that musicians of all levels of expertise should consider joining the orchestra.

“All you really need is a mandolin, an ability to read music, and an interest in playing classical music in a group,” Levy said.

Mary Jennings, a mandolin player who has been taking lessons for a year and a half, said she initially thought she wasn’t ready to play in a group, but Sweet encouraged her to join. She previously studied piano.

“It’s my very first experience in an orchestra, working with more experienced musicians than myself,” she said. “So it’s a lot of keeping up.”

There is no formal audition or fee to join, Sweet said.

“I want it to be a fun community thing that has a life of its own. That it’s something that grows and continues to grow over the next number of decades — that’s really my hope.”

The mandolin

The mandolin is a string instrument played by strumming or picking like a banjo or guitar and using violin finger patterns. It was developed in Italy during the 17th and 18th centuries, and became popular in the United States during the 1920s after Orville Gibson designed a new style with a violin-like arched top.

Gibson would go on to found the Gibson Mandolin-Guitar Manufacturing Co., which today is the Gibson Guitar Corp. of Nashville, Tenn.

In the early 20th century, when people listened to live rather than recorded music, mandolin bands would commonly play in people’s homes, said Sweet, a scholar of music history. As recorded music became more popular, the trend waned, along with the traditional mandolin orchestra.

Mandoln, Mandola, Mandocello, Mandobass
The mandolin is commonly associated with bluegrass, Celtic and classical music, but can be applied to a wide variety of genres. Sweet teaches a weekly mandolin group class where students each semester study a different genre and how the mandolin can fit in to it. This semester, Beatles music is the focus.

“What we need is a rock star of the mandolin world,” said Sweet. “Like a Yo-Yo Ma.”

In a recent interview in his studio, Sweet demonstrated how a mandolin is held and played.

Tuned the same way as a violin, any song that can be played on a violin can be played on a mandolin, but a mandolin player can strum chords, too, unlike a violinist, he said, momentarily breaking into “Danny Boy.”

He describes the mandolin as a social instrument that can be played in groups, like guitar jam sessions. While the violin is one of the most difficult string instruments to learn, the mandolin is one of the easiest, he said.

Other instruments in the mandolin family — which all have four sets of double strings — include the mandola, tuned like a viola, the mandocello, tuned like a cello and the mandobass, tuned like a bass.

Sweet, 57, has been teaching violin and mandolin in the Valley since 1986. He is a classically trained violinist, and spent six years studying the mandolin. He operates his music studio out of his home on Lincoln Avenue where he lives with his wife, Emily, and his two sons, Ricky, 4, and Bina, 14.

He has 37 students — most on mandolin and violin, with others studying bass, cello, guitar, mandola, percussion, voice, theory and composition.

Melton said he learned of Sweet from his music teacher in Providence. “The mandolin community is incredibly close-knit.”

Melton, who is the executive director of development for the College of Natural Sciences at the University of Massachusetts Amherst, said he is grateful to have found another opportunity to play in a mandolin orchestra. He estimates there are only around 120 of them in the country.

As well as playing in Sweet’s orchestra, he said, he often jams during lunch breaks with several of his co-workers who play the mandolin.

“The College of Natural Sciences has a pretty impressive string band,” he said.

The mandolin orchestra rehearses from 7 to 9p.m. on Tuesdays at Sweet’s studio on Amherst St in Granby, MA. Right now, he is looking to have three musicians for each part, but the orchestra could grow to 50 pieces if interest warrants it.

“I don’t think there are 50 classical mandolin players in western Massachusetts — but I could be wrong,” he said.

Sweet can be reached through his website: https://www.sweetmusicstudio.net

Thoughts on the Porter Phelps Concert

The Classical Group performed Bach and Mozart at the Porter Phelps Huntington Museum in Hadley MA on Sunday, September 23, 2018.  Attending were Josh Bell on mandolin, Will Melton on mandola, Joe Blumenthal on bass, Barbara Blumenthal on mandolin, Keith Higginson on mandolin, Nancy Kida on mandolin and yours truly (Adam Sweet) on mandolin and mandocello.

The Classical Group and Josh Bell
The performance was held in the "corn barn" a section between the main house and the side house which is usually quite nice in the spring and fall, but very cold on Sunday.  We were not prepared with sweaters as we should have been.  It was a chilly performance.

The Corn Barn - Porter Phelps Museum
Usually the barn is packed to the gills, but the turnout was miserable.  We had perhaps a half-dozen in attendance, and most of them were students and family.  The Daily Hampshire Gazette, which usually is on the ball when we give them plenty of notice, forgot to post our announcement and picture, and apparently ignored the same press release from the Museum.  Susan Lisk, the manager, mentioned several times how disappointing it is that they failed to follow through on the publicity we required to notify the usual audience.

Will Melton Introducing the Music
The performance itself was mediocre.  In all honesty, the best part of it was Will Melton's introduction at the beginning and before the Mozart.  The instruments were tinny and quiet.  People came in at the wrong places and weren't playing together.  Nobody was listening to each other either.  I've never been more horrified of a public performance than I was on Sunday.  Perhaps it was the cold.  Who knows.  I must put on my thinking cap and revisit my plan for this ensemble.





The South Hadley Mandolin Orchestra is recruiting players!

We are always recruiting new players! If you live within a 100 mile drive of South Hadley, MA, we'd love to welcome you to join us.

Rehearsals are Tuesday nights from 7-9pm at 4 Open Square Way in Holyoke, MA. If you are planning to come, please PM me with your email address, so I can send you sheet music for the pieces we are working on.

We have concerts planned for May, June, July, September, October and November.

We are actively seeking mandola and mandocello players, of course mandolin players are welcome as well!

South Hadley Mandolin Orchestra / Advanced Mandolin Group Class

The Advanced Mandolin Group Class forms the core of the South Hadley Mandolin Orchestra. 

The class meets Monday nights from 7-9pm the studio:

4 Open Square Way
Holyoke, MA 01040

There is no cost to join the orchestra.  You may come to any rehearsals you like.

If you would like to register for the Advanced Mandolin Group Class, or find out more about the Orchestra use the Contact page on the sidebar.

Thank you!

I buy mandolins! Any condition.

I buy mandolins, mandolas and mandocellos.

If you or someone you know has an old (or new) mandolin kicking around the place that nobody wants, send me some pictures of the front, sides and back, details of the scroll, endpin and any damage.  If you know the provenance of the instrument (where it was made, the brand, serial number), include that information.  If you don't know anything about it, that's fine also.

Why do I buy mandolins?

I am the founder and director of the Springfield Mandolin Orchestra, a 501(c)3 Nonprofit dedicated to providing educational performances and events throughout the Metro Springfield area.  I offer a program for beginners called "Play to Own", where people that would like to join the orchestra may borrow a mandolin, mandola or mandocello, and come to rehearsals and mandolin lessons.  At the end of the year if they are still playing, they may purchase it at my cost!  

Mandolin Group Concerts & Class Information

There are several mandolin group concerts coming up.  These concerts are free to all!  Donations are gladly accepted.

The concert dates are as follows:
  1. October 1, 2016 - Soldier's Home in Holyoke, MA.  2pm-3pm
  2. October 8, 2016 - Porter Phelps-Huntington Museum, Hadley, MA. 2-3pm
  3. November 12, 2016 - The Arbors - Amherst, MA 2-3pm
  4. February 12, 2016 - The Loomis Community - South Hadley, MA 2-3pm
If you would like to participate in the Mandolin Group, classes meet currently Monday nights from 7-9pm in South Hadley, MA.  PM Adam Sweet for an address if you would like to attend.

Each class meets for two hours.  Sheet music, books and other study materials are provided by the instructor. The class is open to any and all levels of mandolin, mandola, mandocello and mandobass, regardless of experience.  

The cost of the class is only $125 a month!  If you buy 12 classes in advance, you may take 10% off the total cost, a $150 value.

The South Hadley Mandolin Orchestra (SHMO) is a non-profit musical organization established in 2013

The South Hadley Mandolin Orchestra (SHMO) is a non-profit musical organization established in 2013 by Adam R Sweet, in an effort to revive the beauty and popularity of the traditional mandolin orchestra, which was mainstream in the United States around the turn of the 20th Century.  The Orchestra will consist of volunteer musicians, and will feature composers from around New England and beyond.

To get the orchestra off to a good solid start, it needs to purchase instruments for use by the orchestra, to purchase sheet music for the orchestra library, purchase or lease recording and amplification equipment for the publishing of videos, CDs and other promotional material, pay for the design and publishing of a website, to purchase advertising and marketing for concerts and open rehearsals, and to pay the Director and Manager reasonable salaries.  

Although the SHMO is not currently a registered non-profit organization, we are working towards that goal so that we may accept donations from the community.  

See attached spreadsheet (SHMO - Operating Budget)

Qualifications and Role of Personally Directly Involved With The Project

Adam R Sweet, Music Director
Adam R Sweet has certifications in violin and performance from the New England Conservatory of Music at Rivers, and the Apple Hill Center for Chamber Music.  He has a BA in Ethnomusicology from Hampshire College.  He opened the Sweet Music Studio in 1986 and has been providing music lessons, sales and service to the community since.  Mr Sweet is a mandolin teacher, plays mandolin in several ensembles and leads a Mandolin Group Class at the Studio.  Sweet is a volunteer member of the South Hadley Cultural Council and the Historical Commission.  He lives in South Hadley with his wife Emily and sons.

Qualifications, Certificates and Associations:
  • Certification: Violin; New England Conservatory of Music
  • Certification: Ensembles; Apple Hill Center for Chamber Music
  • BA, Ethnomusicology, Hampshire College
  • Music Teacher Certification: American Federation of Music Teachers
  • Music Teacher Certification: American String Teacher Association
  • Member: American Federation of Musicians
  • Member: Boston Bluegrass Union

Mary Jennings, Manager
Mary Jennings is, by profession, an administrative assistant with the U.S. Fish and Wildlife Service with 28 years in Federal service.  Outside of her Federal service, she has provided administrative support for Eastern Entertainment (Roger Salloom’s booking agency), and has hosted and promoted her own open stage poetry venue at the Black Sheep Deli in Amherst, MA.  Mary is also a performance poet, stage actress, and musician currently studying mandolin with Adam Sweet.  Mary has a B.A. in English from Salem State College, with a minor in music.  She is a resident of South Hadley, MA.

The SHMO will hold open rehearsals at the South Hadley Town Hall on Main St in the auditorium third Fridays of every month, and concerts each year at the same location.  The concerts will be open to the community for a reasonable fee.

The SHMO currently consists of Eight Orchestra Members: four mandolinists, one mandola, one mandocello and one page-turner/assistant (Cynthia’s Mom).  We are actively recruiting new members.  We have received confirmation of interest from an additional mandolon (mando bass) player, and two additional mandolin players that were not able to attend the first rehearsal in February.  The next rehearsal will be the third Friday in March (21).

The members who currently do not have instruments (mando cello, mandola, mandolin) will be able to use an orchestra instrument while an active member of the orchestra.    Members will benefit from playing and learning from published copies of sheet music instead of copies downloaded from the internet as part of an Orchestra Library that will be housed at the Sweet Music Studio.  Members will benefit from the production of high quality video and recordings of concerts and rehearsals that they can share with family and friends and online through social media.

The SHMO currently consists of two administrators: the Director and the Manager who will benefit from a small salary stipend for a specific number of hours worked during each month including rehearsals, concerts, and travel.

The SHMO will need capital funding to get the project started.  Maintenance funding will be needed to keep it running.  See spreadsheet for needs.

Other organizations collaborating directly with this project

  • Town of South Hadley has volunteered use of the Town Hall Auditorium for rehearsals and concerts
  • The Providence Mandolin Orchestra has consulted with the Director and provided access to sheet music and other helpful online resources
  • The Red Barn Music in Amherst has been helpful consulting about community engagement

Names of other organizations carrying out similar projects.

  • Atlanta Mandolin Orchestra
  • Austin Mandolin Orchestra
  • Baltimore Mandolin Orchestra
  • Bloomfield Mandolin Orchestra
  • Dayton Mandolin Orchestra
  • Kalamazoo Mandolin & Guitar Orchestra
  • Louisville Mandolin Orchestra
  • Mandolin Society of Peterborough
  • Milwaukee Mandolin Orchestra
  • Minnesota Mandolin Orchestra
  • New Expressions Mandolin Orchestra
  • New York Mandolin Orchestra
  • Oregon Mandolin Orchestra
  • Orpheus Mandolin Orchestra
  • Pittsburg Mandolin Orchestra
  • Providence Mandolin Orchestra
  • Seattle Mandolin Orchestra
  • Takoma Mandoleers


Playing In A Small Group

Chamber groups are small ensembles such as string quartets and piano trios, who play music intended for performance in close chambers such as parlors and living rooms, churches, or virtually any venue smaller than a large concert hall. While their small sizes and are ideal for intimate settings, chamber groups can, of course, also perform in great concert halls. Chamber orchestras with fifteen or more players blur the definition of a chamber group somewhat; however, while chamber orchestras are relatively large, they remain small and "chamber-like" in comparison to the immense size and volume of full modern orchestras.

It's the best way to meet people. It's much easier than a party. You go to a party, you wonder if someone is going to be approachable or not, but when you play music together, somehow you're communicating immediately, and you go to that level socially as well. Once you start playing music, you can communicate in a way that you could never do just with words.

You form bonds with people you might not otherwise have a conversation with. But because you've shared something so personal, it becomes easier.

It's the ultimate egalitarian experience, because everyone is necessary all the time. Everyone's complete focus is necessary all the time. Everyone coming into the experience understands and respects that. We all realize that we're bringing our best, and we're each bringing unique contributions to the group.

That's one of the best things about it, too. Each person brings something unique, so you have access to the brains of the other people to make a product that you couldn't make on your own. Sometimes there are heated debates, but it's all in good fun.

Playing chamber music helps enhance your musicianship. It’s easy to ‘hide’ in a large orchestra or
band, but in a small group your skills are much more exposed. You work harder to play accurately
and in tune, to listen and blend, to create musical phrases – and as a result, these musical skills
improve.

Playing in a small group allows you to be more autonomous and independent. You can make your
own rehearsal and performance decisions, and you can choose your own repertoire. You’re not
beholden to a conductor. You can tailor your performances to your own interests and/or the jobs
you’re hired to play.

Playing in a chamber group helps develop your communication skills. All members of the group
have an opinion on how the music should be played. Listening to all ideas and implementing the
ones that work best help to hone collaborative skills that you can use later on in college, your
career, and in everyday life.

There is a wide variety of music available for almost any instrumental combination. Some include
piano and/or voice(s). Pops, holiday, classical, jazz, etc…. You can find just about anything by going
online or checking with your music teacher.

Chamber groups are portable! It’s a lot easier to take a trio, quartet or quintet ‘on the road’ than a
full band. Small groups fit better into more venues, creating more opportunities to gig.

Playing chamber music is both a social and musical activity. Start a group containing friends you
already have, or start a group with people you hope to become friends with. Either way, you will
have fun!